I may have set a new personal record last month: most days without writing. I’m guessing a big part of it is pandemic fatigue. It’s hard to keep up the creative flow in the dumpster fire that is 2020. Plus, when the world you live in is a real-life dystopia . . . Anyway, my writing is at a total standstill.

However, it’s that time of the year: time to review old goals and set new ones. I did learn one good lesson from this year: sometimes I get so wrapped up in my “to do list” (particularly my writing “to do list”) that I forget to live. While writing is a huge part of my life, focusing on my writing too much is actually BAD, both in general and for my writing.

This was best illustrated in camping season this year. I was really excited about camping since we didn’t get to camp last year. However, I ended up getting caught up in my writing deadlines and submission calls, and I spent a big part of my camping days sitting inside the camper, writing and editing. Toward the end of the season, I finally put away my laptop and got out and actually enjoyed the camping trips. Then I was sad because I’d wasted most of my camping season inside, pounding away at my laptop!

Hemingway said, “The most solid advice for a writer is this, I think: Try to learn to breathe deeply, really taste food when you eat, and when you sleep, really sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell. And when you get angry, get good and angry. Try to be alive. You will be dead soon enough.”

https://azevedosreviews.wordpress.com/2013/06/01/ernest-hemingways-20-quotes-on-writing/

This is great advice, especially considering the uncertainty in these crazy times. I mean, if I end up lying in my death bed, what do I want to look back on? The camping trip with my daughter where we got lost in Pembina Gorge, or the night I stayed up until I was exhausted trying to finish off a story before the deadline?

So, as important as writing is (and all the other things that occupy my “to do” list), I need to remember to set them aside more often. I need to remember to live with gusto. So, to circle back to the original topics of goals, I’m going to revise next year’s goals to leave more room for living with gusto.

Keeping my new “live with gusto” philosophy in mind, here’s the breakdown on how I did for 2020 and what my goals are for 2021. Three goals are my “set in stone goals” (the personal goal of exercise, the writing stories goal, and the 500Stories500nights–which I intend to keep long after 500 stories). The rest of the goals are moving to the same priority as “Fix my website.” 😉

Set in Stone: On a personal level, one of my goals is to get back on the workout track. I’ve built a pretty decent home gym over the years, but my use of it has been sporadic. I’m going to do better.

Flexible: Read more scholarly work. This is a goal new to this year. For that, I’m starting by reading the collected essays of Lovecraft.

Flexible: Fix my website. In 2020, I made some progress, but there is a lot more work to do. For 2021, I’m going to continue improving my website.

Set in Stone: (was) Write and submit eight new stories. In 2020, I finished six, and the seventh is nearly done. I’m lowering the quota on this one. For 2021, I plan to write and submit six new stories.

Flexible: Submit three reprints. In 2020, I achieved this goal. For 2021, I plan to keep the same goal.

Set in Stone: Participate in the #500Stories500Nights Challenge. November marked one year of participation in the challenge for me. For 2021, I plan to keep the same goal, and I plan to take it beyond the 500 and just keep it as “I’m going to read/listen to one short story every day for the rest of my life.”

Speaking of #500Stories500Nights, here is my reading list for last month.

• 1: “Thank You for Your Life,” by C. Bryan Brown (The Wicked Library 1014)
• 2: “Market Value,” by Gerri Leen (The Overcast 93)
• 3: “Breeze Point,” by Curtis Sittenfield (The Chronicles of Now, 8-12-20)
• 4: “An Infinite Number of Idiots,” by Robert Jeschonek (StarShipSofa 626)
• 5: “Sibyl,” by Carys Davies (Selected Shorts 10-22-20)
• 6: “Love in the Balance,” by David D. Levine (Drabblecast 417)
• 7: “Ages of Death,” by SW Pisciotta (Tales to Terrify 456)
• 8: “Dead Man’s Shoes,” by Ashley Thorpe (Tales From Beyond the Pale 41)
• 9: “Cordona’s Skull,” by Mary Elizabeth Counselman (Pseudopod 719)
• 10: “Ghoul,” by George Saunders (The New Yorker: The Writer’s Voice, 11-3-20)
• 11: “Face Value,” by Sean Williams (LeVar Burton Reads, 9-9-19)
• 12: “A Drama,” by Anton Chekhov (Selected Shorts, 11-5-20)
• 13: “I Decline,” by Cat Rambo (Daily Science Fiction, 11-6-20)
• 14: “Vis Delendi,” by Marie Brennan (Uncanny Magazine 27B)
• 15: “A Shadow Over Innsmouth,” by HP Lovecraft (Drabblecast 434)
• 16: “The Soup Witch’s Funeral Dinner,” by Nicole LeBoeuf (Cast of Wonders 431)
• 17: “Status Report,” by John Wray (Chronicles of Now, 7-29-20)
• 18: “Three Women of Chuck’s Donuts,” by Anthony Veasna (The New Yorker: The Writer’s Voice, 2-4-20)
• 19: “Little Man,” by Michael Cunningham (LeVar Burton reads, 10-26-20)
• 20: “In Paris,” by Ivan Bunin (Selected Shorts, 10-29-20)
• 21: “Rats,” by HP Lovecraft (Drabblecast 413)
• 22: “Eight to the Eighth,” by Liam Hogan (Cast of Wonders 412)
• 23: “The Lightkeepers,” by Jude Reid (Tales to Terrify 458)
• 24: “The Horror in the Museum,” by Hazel Heald and HP Lovecraft (Nocturnal Transmissions 41 & 42)
• 25: “Eyespots,” by Shannon Fay (Daily Science Fiction, 11-23-20)
• 26: “Indispensable,” by Wendy Nikel (Flash Fiction Online, November 2020)
• 27: “In Synch,” by Paul A. Freeman (Every Day Fiction, 11-30-20)
• 28: “The Mystical Art of Codeswitching,” by Sydnee Thompson (Tor.com, 10-19-20)
• 29: “The Science and Artistry of Snake Oil Salesmanship,” by Timothy Mudie (Beneath Ceaseless Skies 11-19-20)
• 30: “The Blue Cube,” by Lee Frazier Davis (Daily Science Fiction, 11-11-20)

I didn’t get much television time in last month, but I watched two episodes of the first season of the new Creepshow series. The first story, “Gray Matter,” was a little bit of a disappointment, but I expected it would be. It happens to be one of my favorite King stories, and television/movie adaptations almost always fall short of their books/short stories. After seeing how bad the television version of “The Raft” was, I was really worried. I did appreciate that Adrienne Barbeau starred, so that was a plus. The second story, “The House of the Head,” was better, though the ending left a little to be desired. Episode two was better because those two stories (especially “Bad Wolf Down”) really seemed to capture the old Creepshow feeling. Of the two stories in episode two, “The Finger” was my favorite. That story gets bonus points, too, since DJ Qualls was the main character and I’m a big fan (#CitizenZForever<3)!

On a sad note, we said goodbye to our beloved Abigail last month. It was sudden and unexpected, but she was an older dog (ten years old). I’m glad we got one last camping season with her. She wasn’t much for camping per se, and she wasn’t super crazy about going for walks in the woods, but she *loved* staring out the windows from her air conditioned, king-sized bed comfort at the squirrels.

A bit of good news for the month is that one of my short stories is available on the Nocturnal Transmissions podcast. While you listen to the fabulous voice talents of Kristin Holland, add a few episodes of Nocturnal Transmissions to your podcast feed. I know you’ll love it!

Also, don’t forget to pick up Brain Games ( from Third Flatiron Publishing), which includes my short story, “US Portal Service.” I love, love, LOVE these anthologies from Third Flatiron. The anthologies are all organized around a theme (like inventions, or alternate histories, or longevity), and it’s fun to see how different authors interpret the themes and the great stories they come up with (aliens and Jimi Hendrix? Yes, please!).

That’s all for now. Until next month, stay spooky!

The title for this month’s post should be, “Random Thoughts” because you’re going to get a little bit of everything!

We’ve been staying home a lot lately because it is very scary around here. We’ve got the highest cases per capita in the US, and our health department is telling people to do their own contact tracing because they can’t keep up. So here, we are supposed to rely on other people to tell us if they have exposed us to Coronavirus. Gee, I’m sure that’s going to work out swell! So we are going to work, shopping once a week, and staying home the rest of the time.

The extra at home time means I actually watched a few movies for a change. I watched Tremors: Shrieker Island, Blood Quantum, one episode of The Haunting of Bly Manor, two episodes of the old series Night Gallery, and rewatched The Girl with All the Gifts. For me, that’s a heck of a lot of tv time!

First, The Girl with All the Gifts. After rewatching the movie, I realized why I didn’t remember much about it and why I had the feeling I hadn’t liked it: I didn’t have a damn clue what was going on the first time I watched it.

I read the book not too long ago and it was soooo much better (but aren’t they always?), so I decided I’d have to watch the movie again and see what I had missed. The movie, it turns out, is much better *after* you’ve read the book. If you see the movie without reading the book, you don’t always understand the importance of some of the things that happen in the movie.

For instance, when Melanie looks out over the English countryside in the movie and the camera spends several minutes on that, you don’t understand that she has spent her whole “life” inside that building and has never seen the outdoors.

The movie barely touches on the whole scent-blocker issue, so you miss out on a lot of the tension of, “I can smell you” that is present in the book.

The movie just tries to touch on the high points to move the action along in the limited time they have, and so it’s like getting scenes/plot points without context, especially the emotional context. So if you watched the movie and didn’t care for it, I suggest reading the book and then watching the movie again. It really does help.

What can I say about Tremors? Not much, without spoiling the movie if you haven’t seen it. I will say that it was SO much better than five and six. Not great, mind you, but better. I am a hardcore Tremors fan, but I had already sworn that if this movie was as bad as five and six, I was done. No more Tremors for me. Thankfully, this movie was better. Michael Gross says he’s open to another Tremors, but . . .

Which reminds me, I also watched The Legend of Burt Gummer. It’s a cute, short little documentary on YouTube.

Blood Quantum was a hell of a movie. The premise is that the zombie outbreak occurs and Indigenous people are immune. The movie is at times a social commentary and a raging gore-fest at others. And dark. Holy crow, there is no happy ending here. You’d think it would be so easy to stay safe, if you were Native. But no, the fates of the whites and the Natives have been inextricably intertwined. I enjoyed the movie, but I know it’s not going to be everyone’s taste. It’s the kind of movie I like to call “Alle-gory.”

The only writing I accomplished last month was for my class. I did “The Other MILF: Monsters I’d Like to F***” about the trend of presenting women as monsters (interesting side note, Donald Trump referred to Kamala Harris as a monster) and how many of them are STILL sexualized (like Angelina Jolie as Grendel’s mother in the Beowulf movie).

My other paper is still in rough draft stage, with a working title of “Nasty Boys.” The topic of that one is the exploration of “high-brow” works that are really bawdy, like “Miller’s Tale” from Canterbury Tales. Non-English majors tend to think of the old writers (who are primarily male) as being high-brow and well-educated, when a lot of their work is really the literary equivalent of penis graffiti. Though that sounds bad, the point isn’t that those works don’t have value or should be dismissed, of course, but more that people shouldn’t have this mindset that the work is too lofty or sacred for the common man.

On the publishing front, another of my stories has been published recently. I’ve been so swamped with everything else that I haven’t had a chance to promote it!

I love, love, LOVE the anthologies from Third Flatiron, and I’m so proud this one includes my story, “US Portal Service.”

Here’s a great article for my writer/artist friends: Everyone Gets Bad Reviews and No One Should Read Them. My general policy is to avoid everything about my work once it’s published, lol, except for providing links to it. For example, in the anthology above, I will read every story except mine. I won’t listen to my stories if they pop up in my podcast feed. Once my work is out there in the world, I want nothing to do with it! And I never, EVER, read reviews on any of my work.

Speaking of reading (see, I warned you this was going to be a long post), I finished reading Hillbilly Elegy. It’s been on my to-read list a long time, but I was spurred to finally get around to reading it because it was brought up (briefly) during the recent Writers Conference.

My plan of action was to read the book, then delve into the controversy surrounding it. Thing is, I finished the book, and it’s not apparent what the controversy is, at least not to me. Granted, the author gets on his high-horse quite a bit, but that’s nothing ununusal.

So now I’ve got to get online and do a little research into it, and then I’ll read Appalachian Reckoning: A Region Responds to Hillbilly Elegy.

Last, but not least, here is my October #500Stories500Nights list:

• 1: “Across the Styx of Norway,” by Jacob M. Lambert (Podcasts from 3F-Third Flatiron, 11-17-15)
• 2: “A Precious Quarry,” by Kev Harrison (Tales to Terrify 449)
• 3: “Billy Bagbones: a folktale,” by Dan Fields (Nocturnal Transmissions 83)
• 4: “The Lights Beneath the Sea,” by Aaron Vlek (Wicked Library 1012)
• 5: “Temporal Fracture,” by Matthew C. Butcher (The Other Stories 55.3)
• 6: “Dune Song,” by Suyi Davies Okungbowa (LeVar Burton Reads, 9-21-20)
• 7: “The Blur in the Corner of Your Eye,” by Sarah Pinsker (Uncanny 29A)
• 8: “Mirror, Mirror,” by RT Raynaud (Nocturnal Transmissions 48)
• 9: “And Cast it From You,” by Scarlett R Algee (The Wicked Library 1013)
• 10: “Who Will Greet You At Home,” by Lesley Nneka Arimah (The New Yorker: Fiction podcast, 10-1-20)
• 11: “The Midwives,” by Jude Reid (Starship Sofa 628)
• 12: “The Last Love Letter,” by Gretchen Tessmer (Cast of Wonders 433)
• 13: “From Beyond,” HP Lovecraft (Nocturnal Transmissions 46)
• 14: “Reopening,” by Tommy Orange (Chronicles of Now podcast, 9-2-20)***
• 15: “Burnover,” by K.D. Julicher (StarShipSofa 627)
• 16: “Watkyn, Comma,” by Joan Aiken (Selected Shorts, 10-1-20)
• 17: “The Pop-up Artisan of Drink Me Café,” by Marie Croke (Cast of Wonders 434)
• 18: “Exhibit Label,” by John Waite (Tales to Terrify 453)
• 19: “The Moctezuman,” by E.C Stever (The Overcast 94)
• 20: “What You Make It,” by Dantiel W. Moniz (The Chronicles of Now podcast, 8-26-20)
• 21: “Battle Borne Dreams Never Die,” by Paul Alex Gray (StarShipSofa 644)
• 22: “A Good Friday,” by Barbara Jenkins (LeVar Burton Reads, 10-12-20)
• 23: “Spanish Winter,” by Jennifer Egan (Selected Shorts, 10-8-20)
• 24: “In the Space of Twelve Minutes,” by James Yu (Uncanny 36B)
• 25: “Someplaces It’s Turnips,” by Jonathon Duckworth (Tales to Terrify 455)
• 26: “Teratology,” by Reggie Forester (Nocturnal Transmissions 87)
• 27: “Tunda,” by Michael Landry (The Wicked Library 806)
• 28: “A.I. Family Values,” by Ben Spillers (StarShipSofa 645)
• 29: “Low Energy Economy,” by Adrian Tchaikovsky (LeVar Burton Reads, 10-5-20)
• 30: “Wedding of the Century,” by Shawn W Foley (Tales to Terrify 454)
• 31: “There’s Always Time for Christmas,” by Felix Blackwell (Nocturnal Transmissions 44)

***Tommy Orange is a hell of a storyteller. The part of this story that really got me is when the kid is getting ready to go to the newly reopened school, and he thinks, as he’s going, “taking him to . . . what?/ his death? / his mild illness?” Powerful!

That’s it for this month! Until next month, stay spooky!

Welcome to the most wonderful time of the year! I figured sharing a couple of pictures of my creepy corn would be a good way to start off this post. Can you imagine peeling back the husk and seeing this staring back at you? Yes, that is real corn I’ve grown in my very own garden. No, no meteors have recently fallen here from space, nor was my garden formerly a burial ground. It’s just. Weird. Corn. And no, it wasn’t advertised as looking like this. It was just supposed to be . . . pretty.

And, of course, I WILL be planting it again next year, lol.

I am currently behind on everything that I could possibly be behind on, including posting this blog! I haven’t worked on any of my stories . . . no writing, no editing, no subbing. Part of it is from being busy (home projects, school, etc.), and part of it is from enjoying these last days of decent weather before winter sets in and turns this place into an arctic wasteland again. Writing has been sacrificed in the name of squeezing every last bit of joy from summer/fall that we can!

I’m hoping to catch up on a few things here in the next couple of weeks, but if the weather holds, I’m not going to waste it!

And in case you were curious, I ended up not having to serve jury duty, so that didn’t slow me down. I answered my hundred page questionnaire (okay, maybe not a HUNDRED, but it sure seemed like it) honestly, and I think it ended up causing me to be disqualified. I’m sure there are a hundred opinions/beliefs I hold that make me unsuitable for jury service in North Dakota. They probably never even got past the section on “how do you feel about police and government authority” before they stamped it with a big ol’ “Hell, naw!”

I am still marveling at the miracle that is Zoom. I know, I know, there have been lots of problems with it, but you have to admit it’s still pretty amazing. I used it several times to attend class while we camped. I use it to have “office hours” with my professor. And our local writer’s conference is happening every Thursday on Zoom. Attending class is, unsurprisingly, better via Zoom. It means I don’t have to trek the mile round trip across campus in forty below weather.

What *is* surprising is that attending the writer’s conference via Zoom is amazing, too. Instead of sitting in a crowded auditorium in an uncomfortable folding chair and listening to the panels and readings, I can sit in my writing room at home, in my comfy chair, with a glass of wine in my hand and my dogs curled up on my feet. BLISS!

And, since I’m not discouraged by the weather or by the difficulty in finding parking, I’m finding that I am attending even more events this time! I know having the conference by Zoom isn’t the same as having it in-person, but I’d be thrilled if at least some of the events continued to be offered through Zoom even after the pandemic is just a bad memory.

The only thing I’ve not fallen behind on is my reading (listening, if you want to get technical). So, here’s my #500Stories500Nights list for September.

• 1: “It’s a Parallel Universe and Everyone Expresses Themselves Through Martial Arts,” by Luke Tarassenko (Daily Science Fiction, 8-21-20)
• 2: “Badass Moms in the Zombie Apocalypse,” by Rae Carson (Uncanny 32A)
• 3: “Notes From the Assistant’s Intern,” by Bryan Miller (Drabblecast 430)
• 4: “So Much Cooking,” by Naomi Kritzer (Cast of Wonders 418)
• 5: “The Squaw,” by Bram Stoker (Nocturnal Transmissions 71)
• 6: “The Modern Woman’s Guide to Navigating Your Transformation Into an Eldritch Horror of the Deep,” by Caroline Diorio (Daily Science Fiction, 9-1-20)
• 7: “The Silver of Our Glory, The Orange of Our Rage,” by Jared Oliver Adams (Cossmass Infinities, 8-23-2020)
• 8: “Emptying the Bunkhouse,” by Vincent H. O’Neil (Bourbon Penn 20)
• 9: “Outside of Omaha,” by Ray Nayler (Nightmare Magazine podcast, 9-9-20
• 10: “Your Rover is Here,” by LP Kindred (LeVar Burton Reads, 8-17-20)
• 11: “The Mappist,” by Barry Lopez (Selected Shorts, 8-27-20)
• 12: “The Little Mermaid of Innsmouth,” by Caroline M Yoachim (Drabblecast 370)
• 13: “Toilet Gnomes at War,” by Beth Cato (Overcast 133)
• 14: “The Lizard and the Rat,” by Andrew Dana Hudson (Starship Sofa 642)
• 15: “Room for Rent,” by Richie Narvaez (LeVar Burton Reads, 8-31-20)
• 16: “Bad Latch,” by Curtis Sittenfield (Selected Shorts, 9-10-20)
• 17: “Metal Like Blood in the Dark,” by T. Kingfisher (Uncanny 36A)
• 18: “Illimitable Dominion,” by Kim Newman (Tales to Terrify 25)
• 19: “Where You’ll Find Me,” by Ann Beattie (The New Yorker: Fiction podcast, 3-1-20)
• 20: “I’m Not Robert,” by A. T. Sayre (Starship Sofa 629)
• 21: “Hellion,” by Julia Elliott (Selected Shorts podcast, 9-3-20)
• 22: “Maybe the Stars,” by Samantha Henderson (Drabblecast Drabbleclassics, 8-26-20)
• 23: “Cloud Nine,” by Ryan Harville (Nocturnal Transmissions 47)
• 24: “Out with the Old,” by Lindsey Goddard (Wicked Library 808)
• 25: Excerpt from Missionaries, by Phil Klay (Storybound S2 Ep 10)
• 26: “The Sand Banks, 1861,” by David Wright Falade (The New Yorker: The Writer’s Voice, 8-25-20)
• 27: “Enlightenment,” by Douglas Smith (StarShipSofa 630)
• 28: “Ancient Rome,” by Kyle McCarthy (Selected Shorts, 9-17-20)
• 29: “The Full Moon Group,” by Dianne M. Williams (Drabblecast 422)
• 30: “The Last PoMatic,” by Amanda Helms (Cast of Wonders 419)

Get out and enjoy the most wonderful time of the year (but wear a mask and practice social distancing, of course)! Until next month!

I just can’t even believe it’s September already. I was able to finish one of the two stories that I was (wrongly) certain I’d finish before the end of August, but the other one isn’t quite ready yet. I’ve moved from being right on track with my yearly goals to being worried. I guess we’ll just have to see how the next few months work out!

Not that I’m starting the last part of the year on a good omen: I’ve been called up for jury duty. Only *I* could have the kind of luck to be called up for jury duty during a global pandemic. Though we were doing fairly well, once the university opened back up, our numbers have skyrocketed. Our city council has moved the risk level from “high” to being right on the verge of “severe.” And so now I have to go sit in a crowded courtroom.

Speaking of university, class is back in session, which is also slowing me down considerably. Before 2020 slid off the rails, I was really excited about fall semester because I was going to be taking a class from my favorite English professor from twenty-plus years ago! Then the students started coming back to campus and our local covid numbers started to skyrocket. I was worried for myself (I’m definitely within the high risk group) but also worried for my professor. Thankfully, she decided to move the class to Zoom. I wish UND had more English classes available online even outside of a global pandemic, but I definitely appreciate it in the middle of a pandemic.

Which leads me to the technological miracle of the month. We are still in the middle of camping season, and I was a little concerned about it conflicting with school starting. I didn’t want to cut my camping season short, but I also didn’t want to miss a lot of classes. Thanks to the class moving online, I was able to use Zoom and attend my English class while on an island, in a lake, in the middle of nowhere. What an amazing time we live in (technologically, at least; too bad everything else is a goldarn dumpster fire).

On the good news front, I’m proud to announce that one of my stories will be appearing in the next anthology from Third Flatiron Publishing, Brain Games! More details coming soon.

Last months reading/listening for August 2020 #500Stories500Nights

• 1: “A Jury of Her Peers,” by Susan Glaspell (LitReading 5-16-20)
• 2: “We Sang You As Ours,” by Nibedita Sen (Cast of Wonders 421)
• 3: “Wind Chimes,” by Sean O’Dea (Podcasts from 3F-Third Flatiron 9-27-15)
• 4: “The Gravesman,” by Joe Palumbo (Nocturnal Transmissions 35)
• 5: “A Chinese Whisper,” by Karl Poyzer (The Other Stories 53.3)
• 6: “You and Me and Mars,” by Sandy Parsons (StarShip Sofa 632)
• 7: “We Came Home from Hunting Mushrooms,” by Adam R. Shannon (Nightmare Magazine podcast, 7-22-20)
• 8: “Staying Behind,” by Ken Liu (LeVar Burton Reads, 3-9-20)
• 9: “The Baby,” by Simon Rich (Selected Shorts, 7-23-20)
• 10: “And All the Trees of the Forest Shall Clap Their Hands,” by Sharon Hsu (Uncanny 32B)
• 11: “My Financial Career,” by Stephen Leacock (LitReading, 7-7-20)
• 12: “The Devil and Tom Walker,” by Washington Irving (1001 Classic Short Stories and Tales, 1-16-17)
• 13: “The Year of the Teacup Dragon,” by Suzanne J Willis (Gallery of Curiosities, 4-6-20)
• 14: “Old Man Winter,” by Dan Fields (Nocturnal Transmissions 74)
• 15: “Copperopolis,” by Tommy Orange (Storyboard S2Ep2)
• 16: “Love Letter,” by George Saunders (The New Yorker The Writer’s Voice 3-31-20)
• 17: “Tiger Baby,” by JY Yang (LeVar Burton Reads, 9-23-19)
• 18: “Nevada Funeral-Scotty Briggs and the Clergyman,” by Mark Twain (LitReading 5-25-20)
• 19: “Man on the Ledge,” by Joe Maggio (Tales From Beyond the Pale 37)
• 20: “Unhaunted House,” by Richard E. Danksy (Pseudopod 709)
• 21: “A Yellow Dog,” by Bret Harte (1001 Classic Short Stories and Tales, 8-9-20)
• 22: “On the Feeding Habits of Humans: A Firsthand Account,” by Rachel K. Jones and Khalida Muhammed-Ali (Drabblecast 424)
• 23: “Surplus Army,” by Pauline J Alama (Podcasts from 3F-Third Flatiron, 3-24-16)
• 24: “Riippuvuus,” by T. Ku (Nocturnal Transmissions 52)
• 25: “A Fish Doesn’t Know,” by Myk Pilgrim (The Wicked Library 1011)
• 26: “Midnight on Addison Street,” by Wendy Nikel (Podcasts from 3F-Third Flatiron, 9-27-16)
• 27: “Paper Wings and Arrow Juice,” by Gordon B White (Tales to Terrify 446)
• 28: “The Man at Dealey Plaza,” by Paul Michael Anderson (The Wicked Library 1010)
• 29: “Dive in Me,” by Selena Chambers and Jesse Bullington (Pseudopod 715)
• 30: “Dread,” by John Dulak (Daily Science Fiction, 8-20-20)
• 31: “Masks,” by Peter Sutton (The Best Horror of the Year Volume Eleven, edited by Ellen Datlow)

I’m off to try and finish that second story and get myself back on track. Until next month, stay spooky!